As we anticipate the launch in Iasi volume Preview Life is tailored after block, Aurora Liiceanu presents short form prose, uninformed public, psychological concepts and theories. But we are dealing with narrative texts with literary ambitions.
Even if the nature of descriptive and explanatory text takes us to apply, as I said above, notice the first person narratives, many texts are almost dialogue at the end who feel the need to add fill to the words, thus enriching the cases and casuistry. Another kind that I found in this volume is log ("Frau Lola and her world", "Matrioana, pasta, owl and jerry"), which is proposed as an example or as public support for a psychological demonstration.
Text publishing, through its urban nature issues ("right first come, monopoly niche or personal brand?") Is present and he wrote much pathos and feeling good. Do not miss any study of folklore ("whiff of kitsch in a Peasant Wedding"), but this specific analysis is thin, the text now only subjective observations. What seems more valuable than any other text here is "child - use a" study about a sense of new creatures, how to grow and educate him (one of the conclusions is that today "having children is a must!").
The weakness of the volume that I want to emphasize it, is redundancy of statements ("children should not be raised by grandparents") and even sameness of others ("complications it brings alive a child of divorce are high"). It is already a truism, I had the feeling that some psychological explanation addresses of people who have even minimal experience of life. However, it is natural for the marketability of this volume question: why is number 1 since it first appeared? It's pretty obvious that this book is addressed to a female, be it so promptly to light appearances? I read very little in incite to Radulescu may issue comments about her writing, but readers assume we are talking about the same in this case.
Besides announced early texts (which are valid, but not a must, as to quote the author), the remaining compositions are ethereal; here Liiceanu Aurora seems to be shooting a grandmother telling stories to grandchildren. The final impression is that of an uneven volume that could be "squeezed".